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Blogging By the Sea
Saturday, August 21 2021

Do you believe it's August already? Where did the summer go. Anyway, this month we have the question: do you have any character habits or favorite words that always crop up in your writing?


I’d like to think that this doesn’t apply to my writing. Being a pantser with mostly character driven stories, I create thorough dossiers on all my main characters, both recurring in a series or for stand alone books. Usually, I end up knowing where they were born, how they reacted to kindergarden, what their life was like in high school and college etc. In doing so, I use a number of sources like birth order, family history, books like Building Believable characters and Writer’s Digest Guide to Character Traits. I also borrow from people I know, and characters on TV. So, I try to create characters with habits and speech patterns that are distinctively theirs.


A young man I worked with as a reenactor constantly used the phrase “fair enough,” which intrigued me and I’ve endowed one or more of my characters with that habit of speech. Other speech patterns I’ve adopted for my characters come from specific career choices. If one of my characters is a cop, some of the familiar bits of cop talk will become part of their vocabulary that would be very different from the man who wears a suit and works in an office or a seventy-five year old cat lady, or a child. Because I am none of these (Well, I admit to the seventy-five, but deny the lady part and I don’t have cats.) I do a lot of eavesdropping. I volunteer at the USO lounge at the airport and it’s a great place to pick up odds and ends of military jargon and speech habits, one of which is Sir and Ma’am for everyone. That’s also a regional thing as well. In New England, where I grew up, the only person who ever called me Ma’am was the soldier who called our office daily to report in to my boss who was his commanding officer in the reserves, but here in the south it's as common as cornbread and sweet tea.


Regional dialect is another way of differentiating your characters and settings, so listening to natives of an area helps to pick out themes and habits of speech to add authenticity to your characters. An author can easily go a little overboard with some dialect, though, and totally lose the reader because every sentence is littered with dialect. I have a book out set in 1775 with a hero from Scotland. So, I was careful to choose just a few typical Scots/Gaelic words to set his dialog apart from my heroine who is a time traveler from the 20th century and made sure she had a few very late 1900s phrases and expressions in hers.


But I admit that personal speech patterns tend to sneak their way into my writing. Like the use of the word “so” at the start of the last sentence in the previous paragraph. I’ve listened to recordings of myself and “so” litters my dialog, along with other totally useless words. Often in my personal speech, I use “ing” words – for instance, “Don’t be telling me that.” Or “I’ll be going now.” Both sentences in another person’s speech might be said as, “Don’t tell me that.” Or, “I’m off.” Most of this personal stuff ends up getting cut in the multiple rounds of editing, but occasionally they get overlooked. I doubt this is just a quirk of mine. We all have personal ways of speaking that just normally show up in our writing, but I’m guessing we all do a lot of editing to get rid of those repetitive things.


As for habits – it’s easy to use personal habits because you live them every day and you don’t have to go thinking them up. If you love to jog, it’s easy to give your character that habit as well because you don’t have to think about when, where, how, why how it makes the character feel etc. But let’s face it, not every character you create can be a jogger so you have to borrow from others. I Hope you borrow from others, or your characters will begin to blur together.


I know writers who have had careers in law enforcement (or are close to someone who has) and their characters always “exit” their vehicles. Sounds like cop talk and isn't very descriptive of the activity. Perhaps some of their characters should climb out, or slide out depending on the type of car or truck, or the size and age of the person because it adds more variety, not just to the narrative, but to the characters themselves. The same could be applied to coffee drinkers. A large portion of Americans are coffee drinkers, but not all to the same level. Some folks can’t function without that first jolt of high caffeine heat. Others are more laid back about their coffee drinking and still others drink tea instead.


As an author, it can be so easy to just put your writing in cruise control and let what is most familiar to you take over. But if you want your characters to stand out, have personalities of their own, you have to avoid letting your personal habits loom so large. Let one of your guys play golf even if you’ve never picked up a club in your life. Have another jump out of airplanes or knit. Just as your characters’ names, careers, and physical descriptions are different, so should their speech, habits and hobbies.


But that’s just my opinion. Why not check out these authors and see what their take on this month’s question is…


Anne Stenhouse 

Victoria Chatham 

Connie Vines 

Diane Bator 

Beverley Bateman 

Dr. Bob Rich 

Fiona McGier 

Helena Fairfax 

Rhobin Courtright 

Judith Copek 

Posted by: Skye Taylor AT 12:02 am   |  Permalink   |  6 Comments  |  Email
Excellent post as usual, Skye. I don't know that being a pantser precludes intrusive repetitions. They come up very often in books I edit for people who wouldn't know a plot if it shook them by the hand. :) Bob
Posted by Bob Rich on 08/21/2021 - 06:09 AM
You pointed out many ways to avoid certain wording and ways to create different but believable characters. Great post, Skye.
Posted by Robin Courtright on 08/21/2021 - 09:20 AM
Hi Skye, I like how you use repetitive speech patterns for your characters. I also use the word 'so' a lot in conversation! I'm conscious of trying not to have my characters blur into one another, but it's difficult, especially after being cut off from other people's real-life conversation for so long this past year. I enjoyed your post and another great topic.
Posted by Helena Fairfax on 08/21/2021 - 12:41 PM
Good post, Skye. You appear to have a pretty good understanding of your writing habits and the characters in your stories. I should try some of your techniques.
Posted by Beverley Bateman on 08/21/2021 - 10:19 PM
Excellent round-up, Skye. I agree that dialect is useful but should not be ocer-used. Even writing in Scotland, I have to remember how many dialects there are and that I want people outwith the country to read and understand what I write. Anne
Posted by anne stenhouse on 08/23/2021 - 07:46 AM
I'm down to the last couple of chapters in a romance with a Glaswegian as the hero. I've written it with his dialect as spoken by the person from Glasgow I know the best--me late faither. I'm going to submit it the way I wrote it. I'm sure if anyone is interested, I'll be told to tone down the accent. But honestly, when I've read Highland romances, I usually spend a lot of time giggling, because the accent is all wrong. As a reader, I like accuracy--but editors might not.
Posted by Fiona McGier on 08/24/2021 - 09:02 PM

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    Skye Taylor
    St Augustine, Florida

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